Most often a subtle dip in the lower mids with a musical EQ can really clean up a mix.So many manufacturers have ported rushed versions of their technology into this realm in order to grab a piece of the action that many of them have lost sight of the importance of their authenticity, and more importantly, a sense of advancement.Now that I think about it, most of the truly musical and high-end plug-ins seem to have come from innovators that kicked off where hardware manufacturers fell away.
Lexicon Reverb Unit Software Developers AreWhether its by replicating classic hardware in ways that make our ears tingle, or creating something unique and innovative, these new software developers are doing it right. So where does that leave Lexicon in its first attempt to bring top-shelf studio hardware to a native plug-in format Since the release of the PCM96 (and now the PCM92), its been clear that Lexicons parent company, Harman International, is aggressively trying to rebuild the Lexicon name, with a singular focus on what it once represented high-end, dense and organic sounding reverb that weve all come to know and love. Lexicon has created a universal plug-in that builds precisely on technology from the PCM96 itself. Not content to release a single plug-in, the PCM Native Reverb Bundle provides no less than seven dedicated and specialised (and dare I say, legendary) Lexicon reverbs each with its own custom user interface. Hats off to Harman for releasing this collection in several platform formats too, bringing that huge and detailed sound to any VST, Audio Unit or RTAS-compatible DAW platform. But rather than compare the PCM Native Reverb Bundle to other reverb plug-ins, I reckon its probably more insightful to compare apples with apples. With both a PCM96 and a PCM91 in my studio here, lets see just how quickly and easily we can get this bundle performing alongside its hardware equivalents. Registration is available via an iLok only a serial number (or license) is downloaded to the device as part of the registration process. Since an iLok is not provided with the software, its assumed that you either already own one or will go out and purchase (and then register) an iLok before you attempt the installation process. ![]() The user interface of this plug-in screams PCM96, and for good reason. With a very clean layout and nine sexy faders representing the Soft Row, almost any tweak of the reverb you care to make is represented here with clearly labelled values embedded above each fader. Above the Soft Row from left to right are high-resolution input and output meters, a rather fancy graphic display, and an EQ section But before I dive headlong into a description of the design, I must say right off the bat that the sound I heard coming from the default preset Large Hall was nothing short of dramatic, and unmistakably high-end Lexicon. While remaining quite distracted by the lush sound it was instantly producing I grabbed a few of the faders (Pre Delay, Reverb Time, etc), and was immediately impressed by how realistic and smooth these controls were. The Soft Row parameters are customised for each of the seven plug-ins. Lexicon Reverb Unit Free Changes ToEach parameter provides smooth and glitch-free changes to the audio stream instantly feeling and sounding like the PCM96 in its responsiveness. Simply click once anywhere inside the display to activate any of the three modes, the first of which is a multi-band display of the reverb itself. In five differently coloured frequency bands, this image moves to the left as it ages (turn this on when clients are in the room). Click again and it switches to an RTA frequency display, and again to display a single audio waveform. All of these display options increase the CPU drain to some degree, but its arguably worth it they are informative and very cool to look at. To the right of this display is an EQ for shaping both the early reflections and the tail individually. This is of a shelving, bandpass, or notch type really its just a single filter that in practice often provides too little or too much, and is not a genuine replacement for an actual post-reverb EQ.
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